British Film Directors: A Critical Guide (International Film Directors)


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There are few things more British than James Bond. The iconic spy is the star of the longest-running film franchise ever and also one of its most successful, eclipsed in box-office performance only by Star Wars and Harry Potter. Audiences still want to be shaken — and stirred. This website uses cookies to enhance your experience when visiting it and to serve you with advertisements that might interest you.


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By continuing to use this site, you agree to our use of cookies. Behind the screen The frustration for people who want to make culturally British films is that the money largely flows back to the source, often the United States. The number of films released at UK cinemas each week has doubled in the last 20 years Then there are those who appear to work outside the system, someone like producer-director Matthew Vaughn, who secured private finance for his Colin Firth-starring spy action film Kingsman: The Secret Service.

Also in Made in the UK. Employment Do we need a robot tax? Yet they also contain some of the most delightful scenes in the history of cinema.

Marvel at the wit of the boot-eating sequence in The Gold Rush, gasp at the artistry of the roller-skating in Modern Times, laugh yourself insensible at the boxing-match in City Lights. Well worth enduring a little heartstring-tugging for. P owell dreamed of heaven in black and white in A Matter of Life and Death , built the high Himalayas on a mundane studio backlot in Black Narcissus , portrayed ballet as a beautiful, demonic obsession in The Red Shoes and imagined the filmmaker as a tormented psychotic in Peeping Tom As his career peaked in the s and '50s, he shared his directing, producing and writing credit with Emeric Pressburger, a Hungarian-Jewish refugee who passionately embraced his adoptive country.

A match made in heaven, it spawned an unparalleled suite of utterly British, gloriously visionary, exquisitely disturbing fantasies. An unfashionable name to bandy about today, Lean represents what we might call officer-class film-making: his films had scale, grandeur, a cold, snobbish edge, but also a poignancy redolent of an empire's last gasp. His earlier works Brief Encounter , Great Expectations and Oliver Twist delivered efficiently in dramatic terms. But after Bridge on the River Kwai , Lean became enslaved by size: each epic took years to plan and execute.

Ryan's Daughter was simply not worth it, but the ravishing visuals of Lawrence of Arabia , his most ambitious film, and the lesser Dr Zhivago are burned into the collective memory. B ritish cinema's most tireless formal fidget, Roeg burst onto the scene with the psychedelic blitzkrieg that is Performance In the 37 years since, his reputation has waxed and waned, but his fractured and elliptical style makes him one of the most influential of all modern directors. An unsettling eroticism snakes its way through most of his movies, from the stunning Australian outback fable Walkabout to the shattering horror classic Don't Look Now You never quite know where you are in a Roeg film: he jumbles up beginnings and endings, cause and effect, leaving you disoriented, hypnotised, bamboozled.

A new feature called Puffball is out this year. There was a mayfly quality to Carol Reed's brilliance. The uncle of Oliver Reed and sometime lover of Daphne du Maurier made more than 30 pictures, but his enduring popularity rests entirely on the magnificent trio of films he made from Odd Man Out and The Fallen Idol both feature towering central performances from James Mason and Ralph Richardson and see shadowy nightmares flourish in Belfast streets and plush domestic settings alike.

The Third Man, though, betters both: Graham Greene's depiction of post-war, black-market-ridden Vienna inspired Reed to new heights, and saw him generate a noirish urban atmosphere whose intensity remains unmatched on celluloid. An easy name to overlook, the visionary Boorman flits uneasily between genres, and seems to view new film ventures as experiments - some of which fail, both commercially and artistically. Still, his gems vindicate his method. His best work has been on American soil, with the noirish masterpiece Point Blank , a relentless, visually startling mob thriller, and the jolting Deliverance , in which backwoodsmen terrorise four businessmen on a weekend canoe trip.

In Britain, Boorman triumphed with the affectionate Hope and Glory , based on his not unhappy childhood adventures in the London blitz. A true British auteur, Davies is the poet of the everyday. With a painter's sensibility, he finds beauty and meaning in rain on the streets, a face glimpsed through a window, an old song sung in a pub.

The uniqueness of his vision shines through every film he makes, even the American-based The Neon Bible and his Edith Wharton adaptation The House of Mirth - but in semi-autobiographical works such as Distant Voices, Still Lives and The Long Day Closes he captures with uncanny precision the sensations, textures and glances that are the stuff of life itself. The Guardian. Retrieved 6 January Online version retrieved 8 April Retrieved 31 December Retrieved 28 May Turner Classic Movies. Retrieved 13 September Online version retrieved 15 November Retrieved 1 July The Hindu. Chennai, India.

The 55 worst movies made by iconic directors — from Spielberg to Scorsese

David Lean Foundation 18 July They Shoot Pictures, Don't They? Retrieved 21 October Take One. Retrieved 12 April Senses of Cinema. Retrieved 7 October The New Biographical Dictionary of Film. Films directed by David Lean. Awards for David Lean. Academy Award for Best Director. Mankiewicz Joseph L. Mankiewicz John G.

BFI Fellowship recipients. Joseph L. Mankiewicz Robert Rossen Joseph L. Cecil B. Golden Globe Award for Best Director. Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons. By using this site, you agree to the Terms of Use and Privacy Policy.

Film director , film producer , screenwriter , film editor. From to , he made eight films—and in only one of them, I suggest — Lawrence —is the spectacle sufficient to mask the hollow rhetoric of the scripts. But Lean before made eight films in ten years that are lively, stirring, and an inspiration—they make you want to go out and make movies, they are so in love with the screen's power and the combustion in editing. Best Director.

ISBN 13: 9780809328338

Best Adapted Screenplay. Great Expectations. The Bridge on the River Kwai. Lawrence of Arabia. A Passage to India. Best Film Editing. Best Screenplay.

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Best British Film. Oliver Twist. Best Film from any Source. Hobson's Choice.


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Best British Screenplay. Summertime shared with Ilya Lopert. Lawrence of Arabia shared with Sam Spiegel. Doctor Zhivago shared with Carlo Ponti. Best Direction. Cannes Film Festival Grand Prix. The Passionate Friends.

Top British Directors - IMDb

David di Donatello for Best Foreign Director. Hugo Award for Best Dramatic Presentation. Blithe Spirit.

British Film Directors: A Critical Guide (International Film Directors)
British Film Directors: A Critical Guide (International Film Directors)
British Film Directors: A Critical Guide (International Film Directors)
British Film Directors: A Critical Guide (International Film Directors)
British Film Directors: A Critical Guide (International Film Directors)
British Film Directors: A Critical Guide (International Film Directors)

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